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Here are all the paintings of Chase, William Merritt 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 18940 |
 |
A Friendly Visit |
1895. |
| 23269 |
 |
A Friendly Visit (nn03) |
1895
Oil on canvas 76.8 x 122.5 cm 30 1/4 x 48 1/4 in
National Gallery of Art Washington DC |
| 18942 |
 |
Dorothy |
1902, oil on canvas, Indianapolis Museum of Art |
| 18937 |
 |
Early Morning Stroll |
1887-91, oil on canvas, private collection |
| 18938 |
 |
Hide and Seek |
1888, oil on canvas, Phillips Collection, Washington D.C. |
| 18934 |
 |
In the Studio |
1882, oil on canvas, The Brooklyn Museum |
| 18932 |
 |
In the Studio Corner |
1881, oil on canvas, Canajoharie Library and Art Gallery, New York |
| 18936 |
 |
Long Island Landscape after a Shower of Rain |
1885-89, oil on canvas, Indianapolis Museum of Art. |
| 18941 |
 |
Portrait of Kate Freeman Clark |
1902, oil on canvas, Kate Freeman Clark Art Gallery. |
| 18939 |
 |
Shinnecock Hills |
1891, oil on panel, Wadsworth Atheneum, Hartford |
| 18944 |
 |
Still Life with Brass Bowl |
1903, oil on canvas, Indianapolis Museum of Art |
| 18935 |
 |
The End of the Season |
1885, pastel on paper, Mount Holyoke College Art Museum, South Hadley, Mass. |
| 18945 |
 |
The Orangerie |
1910, oil on cradled panel |
| 18933 |
 |
The Tenth Street Studio |
1881-82, oil on canvas, Henry E. Huntington Art Collections & Botanical Gardens |
| 18946 |
 |
Woman in White |
1910, oil on canvas, Indianapolis Museum of Art. |
| 18943 |
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Woman of Holland |
1903, oil on canvas. |
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| Chase, William Merritt
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| American Impressionist Painter, 1849-1916
American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),
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